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      <image:title>Pittsburgh Silent Film History</image:title>
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      <image:title>Pittsburgh Silent Film History</image:title>
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      <image:title>Pittsburgh Silent Film History</image:title>
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      <image:title>Pittsburgh Silent Film History</image:title>
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      <image:title>Pittsburgh Silent Film History</image:title>
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      <image:title>Pittsburgh Silent Film History</image:title>
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      <image:title>Pittsburgh Silent Film History</image:title>
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  </url>
  <url>
    <loc>https://pittsburghsilentfilmsociety.org/news</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-27</lastmod>
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  <url>
    <loc>https://pittsburghsilentfilmsociety.org/news/olive-thomas-marker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-27</lastmod>
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      <image:title>News - Silent Star Olive Thomas gets her due in Pittsburgh with new historical marker - Make it stand out</image:title>
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  <url>
    <loc>https://pittsburghsilentfilmsociety.org/news/7hlams7znwq021858urfdhugp8t51u</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-26</lastmod>
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      <image:title>News - PRESS RELEASE: The 2024 Pittsburgh Silent Film Festival Celebrates Nine Essential Centennial Films (1924-2024) - Make it stand out</image:title>
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  <url>
    <loc>https://pittsburghsilentfilmsociety.org/news/winter-2024-newsletter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fdd146411cb4f08639784d2/bdfc8f19-173f-4cda-aeb2-b856c2b83d0b/PGH-SILENT-FILM-FEST-2024-1.png</image:loc>
      <image:title>News - Winter 2024 Newsletter</image:title>
      <image:caption>The latest news from the Pittsburgh Silent Film Society &amp; Festival: A Pittsburgh premiere of the new restoration of PANDORA’S BOX (1929) with live music The new 2024 festival logo David Newell announced as Honorary Festival Chair A screening of Harold Lloyd’s GIRL SHY (1924) with live Wurlitzer and more …</image:caption>
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  </url>
  <url>
    <loc>https://pittsburghsilentfilmsociety.org/news/shhh-its-our-first-newsletter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-12</lastmod>
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      <image:title>News - Shhh … it’s our first newsletter!</image:title>
      <image:caption>Image Credit: Douglas Fairbanks and Billie Dove in The Black Pirate (1926); Courtesy of Bruce Calvert, Silent Film Still Archive</image:caption>
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  </url>
  <url>
    <loc>https://pittsburghsilentfilmsociety.org/news/payday</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fdd146411cb4f08639784d2/31b9d99f-a84e-467f-b60d-81de433dc259/Payday+six+sheet.jpg</image:loc>
      <image:title>News - 100th anniversary of Charlie Chaplin’s “pay day” on April 2nd - In 1918 the First National Exhibitors Circuit hired Charlie Chaplin to make eight films for the unprecedented salary of $1,075,000 per year. Because he had produced twelve wildly popular short films the previous year for the Mutual company, First National assumed he would knock out the new ones in even less time. But because of the enormous popularity of his films Chaplin had the clout to work at his own pace, and he enraged the First National executives by taking five years to complete the series. Pay Day, the next-to-last, was released on April 2, 1922. In it Chaplin plays a henpecked construction worker who, after a long day at work, sneaks out for a night on the town. While the film was a return to the simple plots of his earliest films—Charlie bungles things at work and gets drunk at night—it reflected Chaplin’s growing mastery of the film medium. It’s particularly notable for a scene in which Charlie, on a scaffold, stacks bricks that are being tossed up to him from below. He does it with what seems to be superhuman agility. In reality, Chaplin is removing bricks from the stack and dropping them behind him, and then projecting the film in reverse. But his choreography is so skillful and the editing of the scene so deceptive that most viewers see it as simply another demonstration of Chaplin’s incredible physical prowess. Pay Day was rapturously received by the public and critics. The reviewer for Photoplay said, “If we ever get to the point where Charles Chaplin fails to make us laugh, we are going right out and order a nice, large, beautifully engraved tombstone…Pay Day made even the ushers laugh.”</image:title>
      <image:caption>Written by Dan Kamin. Read more about Dan’s work at http://www.dankamin.com.</image:caption>
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  </url>
  <url>
    <loc>https://pittsburghsilentfilmsociety.org/news/nosferatu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-09</lastmod>
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      <image:title>News - 100th anniversary screenings of nosferatu with new Tom Roberts score premiered to sold out crowds - Make it stand out</image:title>
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  <url>
    <loc>https://pittsburghsilentfilmsociety.org/news/silentmovieday</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-09</lastmod>
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      <image:title>News - LEGENDARY FILMMAKER MARTIN SCORSESE, PITTSBURGH AND CINEMAS ACROSS COUNTRY, EMBRACE INNAUGURAL NATIONAL SILENT MOVIE DAY - Make it stand out</image:title>
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    <loc>https://pittsburghsilentfilmsociety.org/about</loc>
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    <priority>0.75</priority>
    <lastmod>2026-03-28</lastmod>
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      <image:title>About</image:title>
      <image:caption>Chad Hunter was mentored by film preservationist Paolo Cherchi Usai, a founder of the Pordenone Silent Film Festival, and now Director of the Cineteca del Friuli in Italy.  From 1998 to 2005, Hunter served under Cherchi Usai as a film archivist and Preservation Officer in the Motion Picture Department at George Eastman Museum (GEM) in Rochester, New York.  At GEM Hunter rediscovered and preserved two silent films in the 28mm collection that were previously thought "lost”: Harold Lloyd's Lonesome Luke’s Lively Life (1917), and director Raoul Walsh's earliest extent work, Mystery of the Hindu Image (1914). He supervised the preservation of more than one hundred films, and curated his first silent program “Pioneers of Animation” in 2004 at GEM’s Dryden Theatre. Hunter served as Executive Director for the historic Hollywood Theater in Dormont from 2012 to 2016. He led the organization through the transition to DCI-compliant projection, added 35mm archival projectors to the booth, installed the only organ at a cinema in Pittsburgh, and launched “Silents, Please,” a monthly silent film series with live musical accompaniment.  From 2017 to 2020 Hunter was Senior Director of The Rangos Giant Cinema at Carnegie Science Center, where he led the transition from 70mm to 4K digital projection. His programming at The Rangos included a 100th anniversary (to the day) 4K restoration screening of The Cabinet of Caligari. In 2021 Hunter helped launch Silent Movie Day, an event taking place around the country and world to help celebrate silent films and the importance of film preservation. More information at www.nationalsilentmovieday.org. He currently serves as a media archivist with the Appalshop Archive , working to salvage and preserve the largest collection of media related to central Appalachia - which was damaged by flooding in eastern Kentucky in 2022.</image:caption>
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  </url>
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    <loc>https://pittsburghsilentfilmsociety.org/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-03-28</lastmod>
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      <image:caption>Silent film stars Harold Lloyd and Mildred Davis, courtesy of Harold Lloyd Entertainment</image:caption>
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    <lastmod>2026-03-28</lastmod>
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    <lastmod>2022-05-31</lastmod>
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    <loc>https://pittsburghsilentfilmsociety.org/sponsors</loc>
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    <priority>0.75</priority>
    <lastmod>2023-08-28</lastmod>
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